Reuniting them after 15 years to play former lovers whose paths cross again, forcing them to confront unresolved emotions, past heartbreak, and lingering feelings, with the story exploring themes of lost love, memory, and moving on as they navigate painful encounters years later.
The premise is admittedly simple. Perhaps that’s even the point. What elevates the tension is the non-linear structure that writer and director Irene Emma Villamor incorporates here. With the help of editing and costume design, I was never lost in Villamor’s train of thought, despite the jumps and subtle shifts in perspective throughout the movie.
It’s impressive because it allows the film to tell a story that doesn’t really have big moments—just a couple of sequences that, to be fair, would be relatable to anyone who has experienced a relationship that didn’t work out.
However, this can’t fully compensate for the film as a whole in terms of emotional fulfillment. I found myself still looking for something to tie it all together. Maybe it’s also because of where the story eventually goes? Then again, that’s the reality of looking back: there are no quotable quotes—just people making mistakes and decisions, and a lot left unsaid.
I’m glad that The Loved One exists. I also respect directors who continue to experiment. Here’s to more portrayals of everyday suffering. 3/5 ⭐️