A historical drama focusing on Manuel L. Quezon years after the Philippine Revolution during the American occupation. When his fight for independence from the United States is put to the test, Quezon finds himself playing the brutal game of politics to outmaneuver his rivals — including Leonard Wood, Sergio Osmeña, and Joven Hernando.
(C) TBA Studios via Variety
In Quezon’s relentless quest for power, he ultimately faces off with Emilio Aguinaldo in the 1935 presidential elections, using charm and favoritism as both weapons and currency, in a campaign that ultimately changes the face of Philippine politics and history.
What do you do when the literal action part is over? Director Jerrold Tarog has a solution in mind: ramp up the kinetic energy in the political drama. Tarog also employs a new device to tell the narrative, giving himself a wider room for artistic freedom. Fortunately, everything works here. Quezon keeps you engaged from start to finish — an impressive feat.
That’s especially important, given how the political drama resonates more deeply in the present. The film succeeds in deconstructing the former president (and political figures in general) in Philippine history. It can be a game. Quezon suggests that Casey, the lead’s nickname, helped shape the kind of politicking we see today. It’s a compelling point, and Tarog ensures we’re left with plenty to ponder — perhaps too much at times, but maybe that’s his way of making sure his message is delivered clearly.
Turns out, Jericho Rosales was the perfect choice. He is outstanding as the charismatic yet cunning Quezon. He keeps you on edge; you never know what his next move will be. It’s undoubtedly a career highlight for the actor.
Quezon wraps up Bayaniverse on a high note. The film secures the trilogy’s place in Philippine film history and stands as a necessary watch for all ages. May it be seen by as many Filipinos as possible. 4/5 ⭐️
